Martin acoustic guitars, Made right in Pennsylvania. One of the best sounding acoustic guitars has to be made by martin guitars. With there advance technique in bracing and mix of types of woods. It appears martin has the magic touch to making great sounding acoustics. They use the finest woods and when they add electronics to there electric acoustic guitars, you get the best of both worlds. Thousands of guitar tracks have been laid using martin acoustic guitars and thousands more in the days to come, I'm sure will also have that martin tone on them. Mic one up and try it yourself or purchase a martin guitar and plug it. looking for a certain model martin guitar and cant find it?. Send us an email of what you are looking for. We have many sources that we may be able to locate it for you. Bookmark us now and thanks for checking us out.

Martin DXME guitar: Genuine Martin design and tone characteristics, Martin super-tight neck joint for maximum resonance, A-frame X-bracing , Fishman pickup and pre-amp for fabulous plugged-in tone

Martin DCX1KE Dreadnought Cutaway Acoustic: D-14 cutaway body style ,Fishman Classic 4/Sonicore pickup system ,Solid Sitka spruce top, Inlaid black/white/black Boltaron rosette with red fiber, D1 (A-frame) bracing pattern ,Sitka spruce 1-style bracing, Koa pattern HPL back and sides ,Mortise/tenon neck joint , Natural Stratabond neck, Modified low oval neck shape, White Corian nut ,Solid square taper headstock, Koa Pattern HPL headplate, Solid striped ebony fingerboard, 25-2/5" scale, 20 frets, 1-11/16'' nut width ,Striped ebony bridge ,1-style belly bridge , 2-1/8'' bridge spacing ,Compensated white Tusq bridge saddle, Chrome tuners w/small knobs , Martin MSP 4100 Light Phosphor Bronze strings (recommended),White bridge and end pins w/black dots,Tortoise pickguard , Hand rubbed finish

Martin DCXE acoustic: Top wood: Jett Black HPL textured finish , herringbone rosette , A-frame bracing above soundhole;, DX-bracing with scalloped braces , Side wood: Jett Black HPL textured finish, Back wood: Jett Black HPL textured finish , One-piece back construction , Black Micarta fingerboard and bridge , 12" radius neck with jumbo frets , 1-11/16" neck width at nut, 25-2/5" scale length , 20 total frets; 14 clear frets , 6-string , Recommended strings: MSPLUS-3100 Light 80/20 Bronze

Martin DC15E Acoustic Electric guitar: Features a dreadnought cutaway design, with solid mahogany or sapele back, sides, and top, it dispenses with elaborate cosmetics to bring you revered Martin sound at a more affordable price. A Fishman undersaddle transducer and onboard Prefix Plus Pro makes it a plug-and-play stage guitar. Low profile neck shape, rosewood fretboard (1-11/16" nut width, standard 25.4" scale), dark mahogany matte finish.

Martin OMC-16OGTE Acoustic-Electric Guitar : Model: OMC-16OGTE ,Construction: Mortise/Tenon Neck Joint ,Body Size: 000-14 Fret Cutaway ,Top: Solid Sitka Spruce, Rosette: Bold Herringbone ,Top Bracing Pattern: Hybrid ''X'' Scalloped ,Top Braces: Solid Sitka Spruce 5/16'' , Back Material: Solid Ovangkol Wings with Solid East Indian Rosewood Wedge ,Back Purfling: None , Side Material: Solid Ovangkol ,Endpiece: White Boltaron ,Endpiece Inlay: Black/White Boltaron , Binding: White Boltaron ,Top Inlay Style: Multiple Black/White Boltaron ,Side Inlay: None ,Back Inlay: None ,Neck Material: Select Hardwood , Neck Shape: Modified Low Oval ,Nut Material: White Corian, Headstock: Solid/Square Taper , Headplate: Solid East Indian Rosewood ,Heelcap: White Boltaron ,Fingerboard Material: Black Micarta ,Scale Length: 25.4'' , # Of Frets Clear: 14 ,# Of Frets Total: 20 ,Fingerboard Width At Nut: 1-3/4'' ,Fingerboard Width At 12th Fret: 2-1/4'' , Fingerboard Position Inlays: Style 28 ,Fingerboard Binding: White Boltaron ,Finish Back & Sides: Satin ,Finish Top: Polished Gloss , Finish Neck: Satin ,Bridge Material: Black Micarta ,Bridge Style: Belly ,Bridge String Spacing: 2-1/4'' ,Saddle: 16'' Radius/Compensated/White Tusq , Tuning Machines: Chrome with Large Buttons ,Recommended Strings: Martin Studio Performance Light Phosphor Bronze (MSP4100) ,Bridge & End Pins: White with Black Dots Pickguard: Tortoise Color ,Case: 330 Hardshell ,Interior Label: Paper Label ,Electronics: Roland AP-1

Martin OMC Red Birch Acoustic-Electric Guitar : Construction: Sustainable Cherry Blocks Mortise/Tenon Neck joint ,Body size: 000-14 Fret Cutaway ,Top: Solid Sitka Spruce (Rescued) , Rosette: Sustainable Cherry w/Red Birch Leaf Pattern ,Top bracing pattern: A-Frame X ,Top braces: Solid Sitka Spruce (Rescued Wood) 5/16'' , Back material: Solid Sustainable Red Birch Wings w/ Solid Sustainable Cherry ,Back purfling: Style 45 ,Side material: Solid Sustainable Red Birch , Endpiece: Grained Ivoroid, Endpiece inlay: Black/White/Black Boltaron ,Binding: Multiple Black/White ,Top inlay style: Black/White/Black Boltaron , Side inlay: Black/White/Black Boltaron ,Back inlay: Black/White/Black Boltaron ,Neck material: Solid Sustainable Cherry , Neck shape: Modified Low Oval ,Nut material: White Corian ,Headstock: Solid/Square Taper ,Headplate: Solid Sustainable Red Birch w/ Raised Gold Foil Logo , Heelcap: Grained Ivoroid ,Fingerboard material: Solid Sustainable Katalox ,Scale length: 25.4 ,# of frets clear: 14 , # of frets total: 20 ,Fingerboard width at nut: 1-3/4'' ,Fingerboard width at 12th fret: 2-1/4'' ,Fingerboard position inlays: Style 28 Sustainable Cherry Dots , Fingerboard binding: None ,Finish back & sides: Polished Gloss w/Aging Toner, Finish top: Polished Gloss w/Aging Toner, Finish neck: Satin w/Aging Toner ,Bridge material: Solid Sustainable Katalox ,Bridge style: Belly ,Bridge string spacing: 2-1/4" , Saddle: 16" radius/Compensated/White Tusk ,Tuning machines: Chrome w/Small Knobs ,Recommended strings: Martin MSP 4100 Phosphor Bronze, Bridge & endpins: White w/Black Dots ,Pickguard: None ,Case: 600 Series ,Interior label: Sustainable Wood Series , Electronics: Fishman Ellipse Aura

Martin HD-28VE Acoustic: Solid Sitka spruce top ,D-OMLE forward-shifted scalloped 5/16" X-bracing ,Style 28 inlay rosette ,Solid East Indian rosewood back and sides , HD Zig Zag back purfling ,Grained ivoroid endpiece ,Black/white Boltaron endpiece inlay ,Grained ivoroid binding , Bold herringbone top inlay ,Black/white Boltaron back inlay ,Genuine mahogany neck ,Mahogany blocks/dovetail neck joint construction , Modified V neck shape, Bone nut ,Solid/diamond/tapered headstock shape ,Solid Indian rosewood headplate ,Grained ivoroid heelcap , Solid black ebony fingerboard ,20 frets ,25-2/5" scale ,Neck/body joint at 14th fret ,1-11/16'' nut width ,Diamonds and squares long pattern fretboard inlays , Solid black ebony bridge ,Vintage style belly drop-in long saddle bridge ,2-1/8'' string spacing at bridge ,Long white Tusq bridge saddle , Nickel open gear tuners w/butterbean knobs ,White bridge and end pins w/tortoise dots ,Martin SP 4200 Medium Phosphor Bronze strings (recommended) , Tortoise color/beveled and polished pickguard ,Polished gloss/dark filler body finish ,Polished gloss/aging toner top finish , Semi-gloss/dark mahogany stain/dark filler neck finish ,545 Geib-style case

Martin JC Buddy Guy Jumbo Acoustic-Electric Guitar: Construction: Mahogany Blocks/Dovetail Neck Joint ,Body size: J-14 Fret Cutaway ,Top: Adirondack Spruce ,Rosette: Turquoise dots w/Black Micarta , Top bracing pattern: Special Jumbo Bracing Pattern ,Top braces: Scalloped 5/16'' ,Back material: Solid East Indian Rosewood , Back purfling: Style 35 ,Side material: Solid East Indian Rosewood ,Endpiece: Grained Ivoroid ,Endpiece inlay: Black/White Boltaron , Binding: Grained Ivoroid ,Top inlay style: Multiple Black/White Boltaron ,Side inlay: Black/White Boltaron ,Back inlay: Multiple Black/White Boltaron , Neck material: Select Hardwood ,Neck shape: Low Profile ,Nut material: Bone ,Headstock: Solid/Diamond/ SquareTaper , Headplate: Solid Black Ebony /C.F. Martin Block- Turquoise ,Heelcap: Grained Ivoroid with Black/White Boltaron , Fingerboard material: Solid Black Ebony ,Scale length: 25.4 ,# of frets clear: 14 ,# of frets total: 20 ,Fingerboard width at nut: 1 11/16'' , Fingerboard width at 12th fret: 2 1/8'' ,Fingerboard position inlays: Turquoise Polka Dot Pattern w/ BG Inlaid at 12th Fret , Fingerboard binding: Grained Ivoroid ,Finish back & sides: Polished Gloss ,Finish top: Polished Gloss ,Finish neck: Satin w/ Polished Headplate , Bridge material: Solid Black Ebony ,Bridge style: Standard Belly ,Bridge string spacing: 2 1/8'' ,Saddle: Compensated White Tusq , Tuning machines: Gotoh Chrome w/ Large Ebony Knobs ,Recommended strings: Martin MSP 4100 Light Phosphor Bronze ,Bridge & end pins: Black Ebony w/ Turquoise Dots, Pickguard: Black ,Case: 580 Geib style ,Interior label: Signed by CFM IV & Buddy Guy ,Electronics: Fishman Gold Plus VT

Martin OMC-41 Richie Sambora Acoustic-Electric Guitar: MODEL OMC-41 Richie Sambora ,CONSTRUCTION: Mahogany Blocks/Dovetail Neck Joint ,BODY SIZE: 000-14 Fret Cutaway, TOP: Solid Italian Alpine Spruce , ROSETTE: Style 45 ,TOP BRACING PATTERN: OM ,TOP BRACES: Scalloped 1/4'' ,BACK MATERIAL: Solid Madagascar Rosewood , BACK PURFLING: Style 45 ,SIDE MATERIAL: Solid Madagascar Rosewood ,ENDPIECE: Grained Ivoroid ,ENDPIECE INLAY: Black/White Boltaron , BINDING: Grained Ivoroid ,TOP INLAY STYLE: Style 41 ,SIDE INLAY: B/W Boltaron ,BACK INLAY: B/W Boltaron , NECK MATERIAL: Select Hardwood ,NECK SHAPE: Low Profile ,NUT MATERIAL: Bone ,HEADSTOCK: Solid/Diamond/ SquareTaper , HEADPLATE: Solid Black Ebony /Modified Torch ,HEELCAP: Grained Ivoroid with B/W Inlay, FINGERBOARD MATERIAL: Solid Black Ebony , SCALE LENGTH: 25.4" ,# OF FRETS CLEAR: 14 ,# OF FRETS TOTAL: 20 ,FINGERBOARD WIDTH AT NUT: 1 11/16'' ,FINGERBOARD WIDTH AT 12TH FRET: 2 1/8'' , FINGERBOARD POSITION INLAYS:Small Abalone Hexagons Bordered In M.O.P./Richie Sambora Signature Inlaid in M.O.P. Between 19th & 20th Frets , FINGERBOARD BINDING: Grained Ivoroid ,FINISH BACK & SIDES: Polished Gloss ,FINISH TOP: Polished Gloss Special Sunburst , FINISH NECK: Polished Gloss ,BRIDGE MATERIAL: Solid Black Ebony ,BRIDGE STYLE: Pyramid Stauffer Style ,BRIDGE STRING SPACING: 2 1/8'' , SADDLE: Compensated White Tusq ,TUNING MACHINES: Gotoh Gold w/ Small Knobs ,RECOMMENDED STRINGS: Martin MSP 4100 Light Phosphor Bronze ,BRIDGE & END PINS: Fossil Ivory w/Pearl Dots , PICKGUARD: Black (OM45 Style) ,CASE: 533E Geib style ,INTERIOR LABEL: Paper Label Signed By CFM IV & Richie Sambora, Numbered In Sequence , ELECTRONICS: Martin Gold Plus Natural 1 ,OTHER OPTIONS: Available left-handed at no additional charge

Martin Limited Edition D-28M Elvis Presley Acoustic Guitar : Martin Limited Edition D-28M Elvis Presley Acoustic Guitar with Case Limited to 175 exquisite guitars, the D-28M Elvis Presley most closely resembles Elvis'1955 D-28 acoustic, fitted with a custom leather guitar cover with his name across the lower bout. The unique tooled leather cover, originally created by Charles Underwood, made Elvis' D-28 guitar instantly recognizable. It is delivered in a special oversized vintage Geib style hardshell case to accommodate the dreadnaught and cover. The Limited Edition Elvis Presley guitar features rare Madagascar rosewood back and sides (which closely resembles Brazilian rosewood) and an Adirondack spruce top with 5/16" scalloped Adirondack braces for brilliant, powerful tone. The Elvis motif of this dreadnought includes a silhouette of the King and his Martin modeled after a famous 1956 photograph — inlaid in the polished black ebony headplate utilizing mother of pearl and black pearl. Small pearl-bordered abalone star position markers and Elvis' signature are inlaid into the black ebony fingerboard. The black Micarta heelcap features his "TCB Lightning Bolt" logo — a design that originated with the "Taking Care Of Business" pendants Elvis gave to friends — inlaid in mother of pearl. Classic 1950s-inspired Martin appointments include a 1-11/16" neck with diamond valoute carved from genuine mahogany and satin finished, Grover deluxe nickel Kluson™ tuners with small oval metal buttons, the old style Martin decal logo on the headstock, black ebony fingerboard and belly bridge, genuine bone nut and saddle and a flawless polished gloss lacquer finish with vintage-appropriate light amber aging toner on the top.

Martin D-18 1937 Acoustic Guitar: This special edition D-18 acoustic guitar is Martin's loving recreation of the original 1937 guitar, now a highly sought-after collector's item. Crafted with mahogany back and sides, a solid Adirondack top with the X-brace and scalloped braces of the period, hide glue, vintage toner on top, ebony bridge with long saddle (2-5/16" string spacing), and a tortoise pickguard. The neck is also formed exactly as the original and reinforced with a traditional non-adjustable T-bar. Ebony fretboard (1-3/4" nut, 25.4" scale), small abalone position dots, fossil ivory nut and saddle, ebony bridge pins, 30's style hardshell case. The features and details add up to a true masterpiece of the luthier's art, with all the storied sound quality that graced the original pre-war guitar.

Martin D-42 Peter Frampton Dreadnought Acoustic Guitar: The Martin D-42 Peter Frampton Signature Edition Acoustic Guitar features a superb combination of solid tonewoods for big, balanced dreadnought tone. The Adirondack spruce top is reinforced with scalloped, forward-shifted 5/16" Adirondack spruce braces and matched to a back and sides of East Indian rosewood. The 1-11/16" (at the nut) low profile neck is genuine mahogany. Headplate, bridge and fingerboard are African black ebony. Classic Martin Style 42 and Style 45 appointments abound, including colorful abalone purfling around the top, fingerboard extension and rosette; black/white fine line purfling on the sides, back, endpiece, heelcap, neck, and headstock; and grained ivoroid binding throughout (fingerboard and headstock included). A colorful Style 45 mosaic backstrip bisects the back, and original Style 42 (beginning at the 5th fret) snowflake position markers accent the fingerboard. Gold-plated Waverly tuners with ivoroid butterbean knobs grace the polished headstock and a tortoise-color polished and beveled pickguard protects the guitar's top. The body of the instrument is finished in flawless polished gloss, with vintage toner on the top to enhance its vintage look; satin finish on the neck provides exceptional player comfort. To acknowledge the "Frampton's Camel" connection, a small camel in mother of pearl nestles beneath the Old Style Martin gold decal logo on the headplate. Peter Frampton's signature in mother of pearl appears at the base of the fingerboard between the 19th and 20th frets. Pearl-inlaid bridge and endpins for this guitar are fashioned from genuine camel bone. The "Frampton's Camel" logo is etched on the neck block and also appears as a watermark on each guitar's interior label, which is personally signed by Peter Frampton and Martin Chairman C. F. Martin IV and numbered in sequence with the Signature Edition total. Comes with a Geib style hardshell case.

Martin 000-28M Eric Clapton Acoustic Guitar: The Martin 000-28M Eric Clapton Acoustic Guitar features a Carpathian spruce top and solid Madagascar rosewood back and sides with a genuine mahogany Mod V-shaped neck. Martin is only producing 461 of these beautiful, handcrafted instruments — each signed by legendary guitar player, Eric Clapton. The guitar is a testament to the quality luthiery Martin has consistently been recognized for, and features elegant appointments such as zig-zag purfling, herringbone pearl inlays, a rosette featuring an agoya pearl herringbone center ring, and grained ivoroid binding. This is truly a collector's dream.

Martin Car Talk Special Edition Dreadnought Acoustic: The Martin Car Talk Click and Clack Special Edition is a classic dreadnought guitar, featuring solid tonewoods, an Engelmann spruce top, East Indian rosewood back and sides, a low profile neck with diamond volute, and an African ebony fingerboard and belly bridge. The Martin Car Talk acoustic has a rosette in abalone pearl is matched by a colorful mosaic backstrip and both the nut and saddle are crafted from genuine bone. Cartoonist and illustrator Bill Morrison, responsible for much of the artwork on the award-winning Car Talk website, created some amusing designs for this unique musical instrument. The fun begins on the polished ebony headplate, with a mother-of-pearl inlay of Click and Clack in a dilapidated car trailing parts down the fret board. Those parts and tools — also inlaid in mother-of-pearl with thin pearl borders — serve as the fingerboard position markers: fender at the 3rd fret, muffler at the 5th fret, muffler pipe at the 7th fret, battery at the 9th fret, tire at the 12th fret and wrench at the 15th fret. Tom and Ray Magliozzi's signatures appear in pearl at the 20th fret. At the headstock, the Martin Car Talk guitar has chrome enclosed tuners that are equipped with unique custom cast Car Talk buttons — featuring a car similar to the one on the headplate. The Delmar pickguard is also unique, as it bears a printed version of the classic Car Talk credits that run at the end of the show. Aging toner gives the top vintage character under Martin's flawless polished gloss body finish. The guitar neck receives a satin finish for playing comfort. Each C.F. Martin Car Talk Click and Clack Special Edition guitar features two interior labels: one personally signed by Tom and Ray Magliozzi, numbered in sequence, and with recognition for Car Talk's "Esteemed Producer," Doug Berman and Dewey, Cheetham & Howe, and the second incorporating imagery of Car Talk credits and a Car Talk Puzzler.

Martin 000-ECHF Belleza Bianca Acoustic: Martin 000-ECHF Bellezza Bianca Guitar has a bookmatched spruce top, big leaf maple back and sides. Polished Gloss White finish. Bound and polished ebony headplate and snowflake position markers. Bone nut and compensated bone saddle. White case and special signed label included.

Martin The D-35 Johnny Cash Commemorative Acoustic Guitar: The Martin D-35 Johnny Cash Commemorative guitar's polished-black gloss lacquer finish allows its appointments to shine. Five bands of alternating black and white purfling encircle the top, three bands encircle the back and five bands border the sides, in all cases protected by grained ivoroid binding. The grained ivoroid heel cap and endpiece are likewise framed by multiple black and white inlays. The Style 45 rosette features an inlay of vibrant select green abalone pearl. Traditional Style 35 zigzag backstrips separate the three-piece back. Both the fingerboard and headstock are bound with grained ivoroid and inset with mitered black/white fine line inlays. Martin's Old Style large decal logo gleams on the polished black ebony headplate. True to Cash's D-35 Custom, the headstock also sports Grover Rotomatic enclosed chrome tuners. The African black ebony fingerboard is inlaid with position markers similar to those on the D-42 Johnny Cash Signature Edition and small abalone stars bordered with mother of pearl at the 5th, 7th, 9th, 12th and 15th frets. Johnny Cash's signature in pearl appears between the 19th and 20th frets. Because it's a Martin, the D-35 Johnny Cash Commemorative sounds as good as it looks. Combining an Engelmann spruce top with 1/4" forward shifted scalloped braces gives this Dreadnought sweet tone and incredible responsiveness. Back and sides of East Indian rosewood add warmth and projection. The 1-11/16" neck is carved from genuine mahogany. A bone nut and compensated bone saddle (fitted in an ebony belly bridge), enhance its resounding power and clarity. Abalone-topped black Style 42 bridge pins and endpin add an elegant touch of color. A polished and beveled black of course pickguard protects the top. This black guitar deserves a black case, specifically a Geib style case with special black hardware and a black interior. The D-35 Johnny Cash Commemorative guitar comes with a special interior label in tribute to the "Man in Black," each personally signed by Cash's son, John Carter Cash and Martin Chairman C. F. Martin IV, and numbered in sequence.